oH
ohrenhoch, der Geräuschladen
Am I Here? by Cathy Lane Sunday 5, 12, 19, 26 February 2023, continuously from 2 pm to 9 pm
"In that case" by Brigitte Haas Interactive sound installation for 1 Egyptian village and 1-3 players Sunday 8, 15, 22, 29 January 2023, 2 pm – 9 pm _____________________ "What is the answer? __________ In that case, what is the question?" (Gertrude Stein) If there are no answers, listen to the questions that come up. Listen carefully. They might come from a chicken. _____________________ Loudspeaker installation: Knut Remond
Sarah Peebles: 'Music for Incandescent Events: Audio for Skyscapes around Sunset and Sunrise' Sunday 13, 20, 27 November and 4, 11, 18 December 2022, 2 pm - 9 pm Extended: Sunday 25 Dec. 2022 and 1 Jan. 2023 Photo credit: Rob Cruickshank
Maggi Payne 'Through Space and Time' Sunday 2, 9, 16, 23 October 2022, 2 pm - 9 pm Photo credit: Brian Reinbolt
BTHVN refracted Julia Bünnagel Sonntag 21. und 28. August, 4. und 11. September 2022 Verlängert: 18. und 25. September Photo credit: Julia Bünnagel
No Wings To Fly to God Roxanne Varzi Spoken word/sound 8 min. loop, 2022 Sunday 17, 24, 31 July, 7 Aug. 2022 (...) Birds, (...) are the perfect metaphor of both escape and vision. As an anthropologist not only will I take a bird’s eye view of climate change, supply-chain demands and the fall-out on marine life but I am also interested in the embodied experience of the auditor as they listen and imagine a bird’s eye view of the world. Photo credit: Roxanne Varzi
Black Lives Matter Protest & Love Soundtrack June 2020 / June 2022 by Knut Remond ohrenhoch - the noise shop Sunday 5, 12, 19, 26 June, 3 and 10 July, 2022
'A Flow of Cause and Æffect' by Focus Group Sunday 1, 8, 15, 22, 29 May 2022 continuously from 2 pm to 9 pm
'Frankenstein economy' by Annabel Frearson Sunday 20 and 27 March, 3 and 10 April 2022 continuously from 2 pm to 9 pm Picture: Annabel Frearson
Die Hörgalerie 'ohrenhoch, der Geräuschladen' ist eine weltweit einzigartige Präsentationsform von Klangkunst in Synthese mit einem speziellen klangarchitektonischen Raumkonzept.
Die drei von Knut Remond entwickelten, speziellen Lautsprecher-Installationen und die schlichte Einrichtung sind die Grundelemente der Hörgalerie.
ohrenhoch, der Geräuschladen' - ein 20 qm kleiner Ladenraum mit Schaufenster und zwei Kellerräume - wurde am 15. Dezember 2007 von Knut Remond und Katharina Moos eröffnet.
The Soundgallery 'ohrenhoch, the Noise Shop' is singular as a new way of presenting Sonic Art, through a specific sound-architectural space concept.
Three special loudspeaker installations developed and designed by Knut Remond, and the sober furnishing are the basic elements of the Sound-Gallery.
'ohrenhoch - the Noise Shop' - a small space of 20 square metres with a shop window, and two cellar rooms - was opened on December 15th, 2007 by Knut Remond and Katharina Moos.
Seit Anfang 2015 LIEGT 'ohrenhoch, der Geräuschladen' das Thema 'Soundaktivismus' ZU GRUNDE.
Since the beginning of 2015 'ohrenhoch, the Noise Shop' HAS the theme 'Soundactivism' AS A BASIS.
Sound-Objekte
'ohrenhoch, der Geräuschladen' bietet im Archivraum unterschiedliche, kleine von SoundkünstlerInnen speziell angefertigte Soundobjekte zum Verkauf an. Auch die Booklets (2012-2013) und die Audio Field Reports (seit Anfang 2014, Lim. Aufl. je 8 Stück) sind im Archiv ausgestellt und erhältlich.
'ohrenhoch- the Noise Shop' is offering for sale in the archive space different small sound objects specially created by sound artists. Also, the Booklets (2012-2013) and Audio Field Reports since January 2014 are exhibited or heard respectively, in the archive space, and for sale (Lim. Ed. 8 copies).
Aktuelle Präsentation
Current presentation
ohrenhoch-Sonntage - 52 Sonntage im Jahr
ohrenhoch Sundays - 52 Sundays a year
Zu hören am Sonntag
5., 12., 19., 26. Februar 2023
14:00 - 21:00 Uhr:
Am I Here?
von Cathy Lane
Cathy Lane’s sound work ‘Am I Here?’ is a playful exploration of how the concept of ‘Be Here Now’ translates to recorded sound. The work takes the listener on a journey through time and space – from sounds of the stone carvers of Mamallapuram, the Bangalore laundry ghats and the temple of Madurai in South India through the glacial lagoons of Iceland to birdsong in a domestic garden in inner London stopping off in Chile, Italy, Norway and Scotland along the way. These field recordings have been made at different times over the last decade and often feature the composer’s voice commentating on what she can see or hear.
‘Am I Here? gently questions the nature of a recording and the various degrees of embodied or disembodied presence in a recorded artefact. It challenges the commonly held belief that field recordings are an ‘objective document’ and reasserts the inability of the recordist to escape their own physical and subjective presence.
Voices:
Cathy Lane (English); Chloe Locatelli (French); Maya Lane (Spanish)
Loudspeaker installation ohrenhoch: Knut Remond
sound:activism
Seit Anfang 2015 liegt 'ohrenhoch, der Geräuschladen' das Thema 'Soundaktivismus' zugrunde. Jedes Jahr bildet ein neuer Text das Manifest Soundaktivismus.
Soundaktivismus 2015 / 2016 / 2017
Texte von Isabella Zamboni & Knut Remond
Soundaktivismus 2018 / 2019 / 2020
Text: Elisabeth R Hager & Knut Remond
(erhältlich auf Deutsch, Englisch, Farsi, Arabisch, Arabisch Braille-Schrift)
Since the beginning of 2015 'ohrenhoch, the Noise Shop' has the theme 'Soundactivism' as a basis. Every year a new text forms the manifesto sound activism.
sound activism 2015 / 2016 / 2017
Texts by Isabella Zamboni & Knut Remond
sound activism 2018 / 2019 / 2020
Text: Elisabeth R Hager & Knut Remond
(available in German, English, Farsi, Arabic, Arabic Braille)
