current: Music for Incandescent Events: Audio for Skyscapes around Sunset and Sunrise
current: Music for Incandescent Events: Audio for Skyscapes around Sunset and Sunrise

Sarah Peebles: 'Music for Incandescent Events: Audio for Skyscapes around Sunset and Sunrise' Sunday 13, 20, 27 November and 4, 11, 18 December 2022, 2 pm - 9 pm Photo credit: Rob Cruickshank

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Through Space and Time | Maggi Payne
Through Space and Time | Maggi Payne

Maggi Payne 'Through Space and Time' Sunday 2, 9, 16, 23 October 2022, 2 pm - 9 pm Photo credit: Brian Reinbolt

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BTHVN refracted
BTHVN refracted

BTHVN refracted Julia Bünnagel Sonntag 21. und 28. August, 4. und 11. September 2022 Verlängert: 18. und 25. September Photo credit: Julia Bünnagel

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No Wings To Fly to God
No Wings To Fly to God

No Wings To Fly to God Roxanne Varzi Spoken word/sound 8 min. loop, 2022 Sunday 17, 24, 31 July, 7 Aug. 2022 (...) Birds, (...) are the perfect metaphor of both escape and vision. As an anthropologist not only will I take a bird’s eye view of climate change, supply-chain demands and the fall-out on marine life but I am also interested in the embodied experience of the auditor as they listen and imagine a bird’s eye view of the world. Photo credit: Roxanne Varzi

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BLACK LIVES MATTER George Floyd's Brother
BLACK LIVES MATTER George Floyd's Brother

Black Lives Matter Protest & Love Soundtrack June 2020 / June 2022 by Knut Remond ohrenhoch - the noise shop Sunday 5, 12, 19, 26 June, 3 and 10 July, 2022

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A Flow of Cause and Æffect
A Flow of Cause and Æffect

'A Flow of Cause and Æffect' by Focus Group Sunday 1, 8, 15, 22, 29 May 2022 continuously from 2 pm to 9 pm

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Frankenstein economy
Frankenstein economy

'Frankenstein economy' by Annabel Frearson Sunday 20 and 27 March, 3 and 10 April 2022
 continuously from 2 pm to 9 pm Picture: Annabel Frearson

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We sing, when we can’t sing we scream, when we can’t scream we whisper, when we can’t whisper we lis
We sing, when we can’t sing we scream, when we can’t scream we whisper, when we can’t whisper we lis

"We sing, when we can’t sing we scream, when we can’t scream we whisper, when we can’t whisper we listen"
 A documentary hörspiel by Klara Andersson Sunday 13, 20, 27 February, 6, 13 March 2022
 continuously from 2 pm to 9 pm Picture: Klara Andersson

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TAGE
TAGE

"TAGE" ELISABETH R. HAGER & NELE HÜLCKER 9, 16, 23, und 30 Dezember 2018 Photo credits: Elisabeth R Hager, Neo Hülcker

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Die Hörgalerie 'ohrenhoch, der Geräuschladen' ist eine weltweit einzigartige Präsentationsform von Klangkunst in Synthese mit einem speziellen klangarchitektonischen Raumkonzept.
 

Die drei von Knut Remond entwickelten, speziellen Lautsprecher-Installationen und die schlichte Einrichtung sind die Grundelemente der Hörgalerie.

ohrenhoch, der Geräuschladen' - ein 20 qm kleiner Ladenraum mit Schaufenster und zwei Kellerräume - wurde am 15. Dezember 2007 von Knut Remond und Katharina Moos eröffnet.

 

 

The Soundgallery 'ohrenhoch, the Noise Shop' is singular as a new way of presenting Sonic Art, through a specific sound-architectural space concept.
 

Three special loudspeaker installations developed and designed by Knut Remond, and the sober furnishing are the basic elements of the Sound-Gallery.

'ohrenhoch - the Noise Shop' - a small space of 20 square metres with a shop window, and two cellar rooms - was opened on December 15th, 2007 by Knut Remond and Katharina Moos.

 

Seit Anfang 2015 LIEGT 'ohrenhoch, der Geräuschladen' das Thema 'Soundaktivismus' ZU GRUNDE.

 

Since the beginning of 2015 'ohrenhoch, the Noise Shop' HAS the theme 'Soundactivism' AS A BASIS.

Sound-Objekte

 

'ohrenhoch, der Geräuschladen' bietet im Archivraum unterschiedliche, kleine von SoundkünstlerInnen speziell angefertigte Soundobjekte zum Verkauf an. Auch die Booklets (2012-2013) und die Audio Field Reports (seit Anfang 2014, Lim. Aufl. je 8 Stück) sind im Archiv ausgestellt und erhältlich.

 

'ohrenhoch- the Noise Shop' is offering for sale in the archive space different small sound objects specially created by sound artists. Also, the Booklets (2012-2013) and Audio Field Reports since January 2014 are exhibited or heard respectively, in the archive space, and for sale (Lim. Ed. 8 copies).

Aktuelle Präsentation
Current presentation
ohrenhoch-Sonntage - 52 Sonntage im Jahr
ohrenhoch Sundays - 52 Sundays a year

ohrenhoch presents on the 6 Sundays

from 13 November to 18 December 2022:

Music for Incandescent Events: Audio for Skyscapes around Sunset and Sunrise
 

Three audiofiles (2002-2020) by Sarah Peebles

Sunday 13 and 20 Nov., 2 pm – 9 pm continuously: "No.1 - after sunset with crescent moon setting over field"

Sunday 27 Nov. and 4 Dec., 2 pm – 9 pm continuously:
 "No.2 - for Gibraltar Point"

Sunday 11 and 18 Dec., 2 pm – 9 pm continuously:
 "No. 3 - for Berry Point"

Loudspeaker installation: Knut Remond

"Music for Incandescent Events meditates our perception of time, memory and place, creating a space for contemplation, for awareness of one’s physical environment, and for exploration of consciousness in the moment." Sarah Peebles

Sarah Peebles is a Toronto-based installation artist, composer and music improvisor. Much of her work explores digitally manipulated found sound, unconventional methods of amplification and distinct approaches to performing shō, the Japanese mouth-organ used in gagaku (court music). She has also collaborated with artists, technicians and bee biologists on a series of projects addressing pollination ecology and biodiversity, entitled “Resonating Bodies” since 2008.

sound:activism

 

Seit Anfang 2015 liegt 'ohrenhoch, der Geräuschladen' das Thema 'Soundaktivismus' zugrunde. Jedes Jahr bildet ein neuer Text das Manifest Soundaktivismus.

Soundaktivismus 2015 / 2016 / 2017
Texte von Isabella Zamboni & Knut Remond

Soundaktivismus 2018 / 2019 / 2020

Text: Elisabeth R Hager & Knut Remond
(erhältlich auf Deutsch, Englisch, Farsi, Arabisch, Arabisch Braille-Schrift)

 

Since the beginning of 2015 'ohrenhoch, the Noise Shop' has the theme 'Soundactivism' as a basis. Every year a new text forms the manifesto sound activism.
 

sound activism 2015 / 2016 / 2017
Texts by Isabella Zamboni & Knut Remond

sound activism 2018 / 2019 / 2020

Text: Elisabeth R Hager & Knut Remond
(available in German, English, Farsi, Arabic, Arabic Braille)

sound object speaker flower yan jun ohrenhoch
sound activism ohrenhoch
RCruickshank Spit Sunset.jpg

Photo credit: Rob Cruickshank